





|
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Available
here only!
An alphabetized listing of archives, associations,
distributors, and trade organizations referred to in
Archival Storytelling.
See also expanded
versions of the book's
bibliography and
filmography!
Reproduction,
publication, or distribution of the contents of this website is prohibited.
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|
ABC News VideoSource |
https://www.abcnewsvsource.com/vsource
ABC is
now the Disney-ABC Television Group, a
subsidiary of the Walt Disney Company. They
represent the collection of (U.S.) ABC News from
1963 on, holding camera raw reels of all news
footage shot. They also currently represent AP
Archive (moving images), British Movietone News,
and Helinet (which offers high definition video
aerial images). |
|
Academy of Canadian Cinema and
Television |
http://www.academy.ca/national/
The Academy, according to their website, “is a
national non-profit professional association
dedicated to the promotion, recognition and
celebration of exceptional achievements in the
Canadian film and television industries.”
|
|
AFP (Agence France-Presse) |
www.afp.com/english/home/
Agence France-Press is the
world's oldest established news agency still
operating, founded in 1835. Their coverage of
European news and events may be unmatched by
anyone, except perhaps Magnum (see below).
Recently, they have added video. |
|
American Social
History Project |
www.ashp.cuny.edu/
Part of the Center for Media and Learning at the
City University of New York Graduate Center, the
American Social History Project aims “to
revitalize interest in history by challenging
the traditional ways that people learn about the
past.” |
|
American Society of Picture
Professionals
|
www.aspp.com
According to their website, ASPP
“is a community of image experts committed to
sharing their experience and knowledge
throughout the industry. Since 1966 this
non-profit association has provided professional
networking and educational opportunities for
those who create, edit, research, license,
manage or publish pictures. ASPP has over 900
members in the U.S. and overseas, whose
demographics break down roughly as 50%
researchers/editors/buyers, 30% photographers,
20% personnel at stock agencies or collections.”
They are a membership organization, and their
publication is The Picture Professional.
|
|
Art on Film
Online |
www.artfilm.org
Art on Film was launched in 1984 by the J. Paul
Getty Trust and the Metropolitan Museum of Art
and is supported by the
Pratt
Institute School
of Information & Library Science. |
|
ArtBeats |
www.artbeats.com
Their
slogan is “footage you can use,” and if you are
looking for general scenic shots, they’re right.
Kenn has used ArtBeats’ HD material for a
variety of feature films. ArtBeats features
royalty-free moving images but not stills. Owned
by Getty Images and located in
Oregon , Artbeats offers digital
material in standard NTSC
,
PAL , or high definition video, which you can
purchase either by the individual clip or by the
collection of related clips. Their tech support
is top-notch. |
|
Art Resource |
www.artres.com
Art Resource, located in
New York , is the world’s largest
fine art stock photo archive, licensing fine art
imagery to a wide variety of clients. They art
imagery from prehistoric times to the present. |
|
AP Images |
http://apimages.com/eng/index.html.
Wide World Photos, the photographic division of
the Associated Press (AP) wire service, is still
maintained by that organization. Other wire
services world-wide either control their own
collections or have sold them off to archive
conglomerates. |
|
Association of Moving Image
Archivists (AMIA) |
www.amianet.org
The North American-based organization of
archives. |
|
BBC Motion Gallery |
www.bbcmotiongallery.com
This website will link to the various
collections the BBC
represents, and can get you to contact
information for the various
BBC offices in the
U.S. and around
the world from “contact us” on the home page.
Note
that in addition to representing CBS News
footage, the BBC
Motion Gallery also now represents recent HD
material from NHK (Japan), Australian
Broadcasting Corporation material, and China
Central Television (CCTV). They also represent
the All-American News collection.
The
BBC
portion of the collection also includes
sub-collections in
London, such as the Nugus/Martin Collection,
which has archival news material dating back to
1896, and the Huntley Film Archives, which dates
back to the Muybridge films of the 1880s, with
particular strength in the 1920s and 1930s
social landscape. |
|
Black Star |
www.blackstar.com
Black Star is a
photojournalism agency which, like Magnum
Photos, was started after World War II. It has
both hard news images and depictions of everyday
life from the 1940s on. Black Star also offers
an assignment division (they'll shoot what you
ask them to shoot). One of the prestigious New
York based photo agencies. |
|
British Universities Film & Video
Council |
http://www.bufvc.ac.uk/aboutus/index
An
excellent resource for filmmakers as well as
educators, the website offers a number of links
to useful information, including theHermes
database of 25,000 television programs in
distribution throughout the United Kingdom; a
newsreels database, for information about
170,000 stories from about 75 newsreel
organizations in England, Scotland, and Ireland;
the Researchers Guide Online, based on the data
that comprises the BUFVC reference work, the
Researcher's Guide: Film, Television and Related
Documentation Collections in the UK;
Shakespeare, a new International Database of
Shakespeare on film, television and radio;.The
Television and Radio Index for Learning and
Teaching;and TVTiP, a catalog of the television
listings for London’s TV Times between 1955 and
1985. |
|
Center for History and New Media |
http://chnm.gmu.edu/index1.html
The Center for History and New Media at George
Mason University in Virginia uses “digital media
and computer technology to change the ways that
people—scholars, students, and the general
public--learn about and use the past,” according
to their website. They offer links to a variety
of U.S.
history websites, and also provide over 100 relevant
primary documents (paper and audiovisual). They
also offer a wide variety of other resources to
both new media and traditional documentary
projects on
U.S.
history. |
|
Stanford Law - Center for
Internet and Society (CIS) |
http://cyberlaw.stanford.edu/
Located at Stanford University’s Law School, the
Center for Internet and Society tracks current
events on a variety of subjects, including
cybercrime, fair use, free speech, intellectual
property and copyright, the future of the
Internet and digital and electronic
surveillance. |
|
Center for Social Media (CSM) |
www.centerforsocialmedia.org
Located at
American University ,
Washington , DC, the Center maintains both a
membership of media makers and does advocacy,
holds festivals, disseminates news about legal,
aesthetic, and other issues affecting especially
documentary filmmakers. |
|
Center for the Study of the
Public Domain |
www.law.duke.edu/cspd
Located at
Duke
University ’s
Law
School , founded in 2002, according
to their website, “as part of the school's wider
intellectual property program. Its mission is to
promote research and scholarship on the
contributions of the public domain to speech,
culture, science and innovation, to promote
debate about the balance needed in our
intellectual property system and to translate
academic research into public policy
solutions.” |
|
Chicago Historical Society |
http://chicagohistory.org/research/aboutcollection
The Chicago Historical Society has a collection
of audio, film and video, and still images about
Chicago and the
Midwest . The collection also represents a great deal of
material relevant to
U.S.
history and geography in general. Audio collections include
almost 50 years of WMFT’s broadcasts of cultural
historian Studs Terkel’s radio show. The moving
image collections include
Chicago station WGN’s news film from
1948-1977. The still images section includes the
collections of The Brotherhood of Sleeping Car
Porters, the photo morgue of the Chicago Daily
News between 1902 and 1965, a large collection
of Currier and Ives lithographs, and a seemingly
infinite number of images of
Chicago
streets, neighborhoods, and daily life. |
|
Chilling Effects Clearinghouse |
www.chillingeffects.org
Chilling
Effects Clearinghouse is a joint project of the
Electronic Frontier Foundation (see below) and
Harvard
University
,
Stanford
University
,
University
of
CA
at
Berkeley
,
University
of
San Francisco
,
University
of
Maine
, George Washington School
of Law, and Santa Clara University School of Law
clinics. They help those using the Internet
understand the protections that the First
Amendment and intellectual property laws gives
to online activities. They seek to fight against
activities that would stifle free speech on the
Internet. |
|
Corbis |
www.corbismotion.com
for moving images
www.corbis.com for
stills
After Getty, Corbis is probably the second
largest commercial supplier of stock images.
They offer both royalty-free and rights-managed
collections. Corbis owns the famous Bettmann
Archive, as well as the art collections of the
Hermitage in
Russia , the
Philadelphia Museum of Art, and several other
institutions. |
|
Defense
Visual
Information
Center |
www.dodmedia.osd.mil/Imagery_Search.htm
Located at March Air Reserve Base in Riverside,
California, the Defense Visual Information
Center “is the designated records center for the
storage and preservation of visual information
records of the U.S. military.” These are stills
and motion picture that have not yet been
forwarded to
NARA
, and therefore remain with the U.S. Department of
Defense.
For a
search engine for military stills and moving
image that have not yet been forwarded to
NARA and remain with the Department of
Defense (DOD), and for pricing and available
formats, see the still images, motion media and
CD-ROM links at
www.dodmedia.osd.mil/Commercial_Fees.htm.
|
|
Fédération Internationale des
Archives de Film/International Federation of
Film Archives (FIAF) |
www.fiafnet.org/
Founded in 1938 as an organization dedicated to
the preservation and promulgation of film by a
consortium of the
BBC in
London , RAI in
Italy , ARD in
Germany , and
INA in Paris
. They have now grown to include over 120
institutions in 65 countries and are located in
Belgium . A
great way to find European film researchers.The
Belgium-based International Federation of Film
Archives, (FIAF, or Fédération Internationale
des Archives du Film) is a great place to go for
research, if you suspect their membership can
help you. You can find a list of their member
organizations on their website. |
|
Fédération Internationale des
Archives de Télévision/International Federation
of Television Archives (FIAT/IFTA) |
www.fiatifta.org
Established in 1977 by ARD (
Germany ),
BBC (UK), INA (
France ) and RAI (
Italy ),
FIAT/IFTA has grown over the years so that it
now includes 180 member archives in over 70
countries. FIAT/IFTA is presently the most
important professional organization of
broadcasting archives. Its membership “is drawn
from public and commercial broadcasters,
national audiovisual archives and technical
companies catering to the broadcasting
industry.” |
|
Federation of Commercial
Audiovisual Libraries (FOCAL International) |
www.focalint.org
Based in London, FOCAL
represents commercial film/audiovisual, stills
and sound libraries as well as interested
individuals, such as professional film
researchers, producers working in the industry,
and organizations such as post-production
facilities. FOCAL publishes an annual membership
book, and that can be a great way to find a
researcher, especially in the
U.K.
or
Europe
. |
|
Flickr |
www.flickr.com
Owned by Yahoo; a free Yahoo membership is
required for use. Flickr is a web community that
uploads 2,500 to 3,000 photos per minute from
its users. 4.6 million photos on Flickr (as of
late January 2008) are offered under a Creative
Commons license and so are available for use
with a few restrictions. |
|
Folkways Recordings |
www.folkways.si.edu
(and see SMITHSONIAN INSTITUTION below)
Folkways Records was founded in
New York City in 1948, and over the
next four decades released 2,168 albums,
according to Smithsonian’s website. Folkways
Records was acquired by the
Smithsonian
Institution Center
for Folklife and Culture Heritage in
Washington , DC
, which added new materials to the collection. |
|
Footage Farm |
www.footagefarm.com
Originally started in London by Orly Yadin, as a
way of allowing UK and European users to access
materials from the public domain that are in the
US government archives, Footage Farm is a large
collection of US public domain material that is
purchasable on a royalty-free (flat fee) basis.
The fee has a sliding scale depending on how
much of their material you use. The
London office offers
PAL digiBeta format masters
(as well as other masters made from their
PAL
digiBeta), and their
US
office, maintained by the production company Green Mountain
Post Films (in western
Massachusetts
) offers NTSC materials. In
addition to public domain materials, Footage
Farm has several private collections (including
one of Soviet footage) that are offered on a
rights-managed basis. |
|
Footage.net |
www.footage.net
“The stock, archival, and news footage network.”
Free registration required; from Footage.net you
can do individual searches through the databases
of their approximately 60 member archives, and
you can also do global searches though all the
archives at once. Their members tend toward hard
news collections, but also include general
purpose archives such as Historic Films and WPA
Film Library. It provides gateways, for example,
to the three major U.S. networks as well as to
CBC (the Canadian Broadcasting Corporation),
CNN, the Institut National de l’Audiovisuel
(INA) in France, National Film Board of Canada,
National Geographic, Natural History New
Zealand, , WGBH (Boston’s PBS station), the
German archival footage source Framepool, Getty,
Corbis, and many others.
Thus,
Footage.net is a primary nexus for searching and
contacting many major archives around the world.
It is also possible to have the archives come to
you: by issuing something called a zap request,
your specific need or wishlist is instantly sent
to all of the member archives. Archives will
then respond to you by email or fax if they have
any material. (A downside of zap requests is
that often these archives will put you on their
mailing lists, and you will begin to receive
advertising; you can always unsubscribe.) |
|
Footagebank HD |
www.footagebank.com
Founded in 2002 as “the first stock footage
company focusing on High Definition (HD) native
content,” FootageBank is an online moving image
archive, offering some of the most beautiful HD
stock footage around. They also partially
represent an important military collection,
Great American Stock. |
|
Getty |
www.gettyimages.com
Probably the largest commercial archive in the
world, Getty offers both still images and motion
picture. They now offer a royalty-free section
of their web database and holdings. You can
specify that their search engine just look for
royalty-free imagery, or include rights-managed
imagery as well.
Getty
represents such collections as the Associated
Press film archive, Dick Clark Productions, and
Rick Prelinger’s collection of Ephemeral Films
(which can be viewed on the Internet Archive),
for licensed use. They also represent stock
footage collections from Universal Studios and
Warner Brothers.
On the
stills side, Getty owns or “reps” some of the
largest stock shot agencies, such as Stockbyte,
The Image Bank and Stone. Importantly, it also
represents the Hulton Archive (formerly
Hulton-Deutsch), one of the oldest and most
venerated collections in the world focusing on
fine art. Getty also recently started to
represent WireImage, a company that covers
entertainment celebrity photography. ( Photos
are usually also available on WireImage’s
website within a day of being taken, regardless
of where in the world it happened. You can
still deal with WireImage directly, which is
often easier and more cost-effective than going
through Getty.) |
|
Historic Films Stock Footage
Library |
www.historicfilms.com/
Historic Films, in addition to having the
expected public domain materials, has some other
very specialized collections, such as (to take
one example) erotic and pornographic shorts,
novelty films, and loops from about 1910 through
the 1970s. They also have many unique
entertainment collections. A home movie
collection of the early days of punk rock; a run
of The Ed Sullivan Show; Don Kirschner’s Rock
Concert;and the archives of performers Soupy
Sales and Steve Allen are just a few of the
forty or so collections they own. |
|
The Imperial War Museum |
www.iwmcollections.org.uk/
The largest depository of audiovisual materials
on the British involvement in World War II can
be found in
London . IWM has historical
documents, still images, newsreels, military
films, maps, charts, artifacts, and almost any
other category of audiovisual and paper-based
material you can imagine. Contact
film@iwm.org.uk for
non-commercial educational projects;
filmcommercial@iwm.org.uk for licensing and
purchasing materials |
|
International Association for
Media and History (IAMHIST) |
www.iamhist.org
An
“organization of filmmakers, broadcasters,
archivists and scholars dedicated to historical
inquiry into film, radio, television, and
related media.” They are particularly interested
in the interaction between history and media. |
|
International Documentary
Association (IDA) |
www.documentary.org
An
international membership organization of
documentary-makers, they publish the influential
magazine Documentary, and offer annual awards,
screenings, seminars and workshops, organize
Docfest, DocuDay, and the Pare Lorenz Festival,
and do advocacy on behalf of documentarians. |
|
The Internet Archive |
www.archive.org
Founded by Brewster Kahle in 1996, the IA is a
non-profit based in San
Francisco
. It was founded, according to the website, “to build an Internet
library, with the purpose of offering permanent
access for researchers, historians, and scholars
to historical collections that exist in digital
format.” It was Kahle’s vision to maintain
“snapshots” of how the World Wide Web looked at
certain moments, as he understood the volatility
of Internet information, and its value—websites
for political campaigns that are long over, for
example, or of companies that have gone out of
business.
In the
meantime, the IA has become much, much more. It
has become a source of multitudes of
high-resolution, downloadable materials.
The
audio collection alone contains hundreds of
thousands of items, from audio books and old
radio shows (including Presidential radio
addresses) to news and public affairs
programming and about 40,000 live concert
recordings, including Grateful Dead concerts
from the 1970s.
The
moving image collection includes the “ephemeral
films” of the Prelinger Collection, such as Duck
and Cover, Dating Do’s and Don’t’s, and other
political or social films from the past, as well
as educational, instructional, and sales films
that reflect American culture over the past
decades. Most of the films and audio on the
Internet Archive are available for
high-resolution download and can be put to a
wide variety of uses. (Note that if you need any
items from Prelinger’s collection for a licensed
use—that is, you need a formal license—you must
purchase the footage from Getty Images, which
owns the commercial rights.)
Also on
the Internet Archive’s moving image site are
feature films that can be watched or downloaded
for limited uses. They include D.W. Griffith’s
The Birth of a Nation, the noir classic D.O.A.
with Edmund O’Brien, Alfred Hitchcock’s British
version of The Man Who Knew Too Much, Leni
Riefenstahl’s Triumph of the Will, Akira
Kurosawa’s Rashomon, and Fritz Lang’s M. (You
may use some of these titles in the form they
appear at the Internet Archive, but restorations
and varying versions, such as those done by
Kino, Criterion, and other “gourmet” film
distributors may be under new copyrights if the
change from the public domain version is
substantial.)
This is
just a tip-of-the-iceberg sampling of what the
IA has to offer. Visit it! |
|
The Internet Movie Database |
www.imdb.com/search
The
largest online source for film cast, credits,
awards, and biographies related to film. Owned
and operated by Amazon.com; this site is set up
like a wiki, but it is vetted. Use with a bit of
skepticism, but it is fairly accurate and
comprehensive The link presented here will be
helpful in getting you past the advertising and
immediately to the search engine. |
|
theispot.com |
www.theispot.com
Theispot is an online catalog
of graphic illustrations and design work,
available for purchase and download on a
rights-managed basis. Prices are set by the
artist, not the site, and the site has ongoing
collaboration with their designers and
illustrators regarding negotiations of unusual
uses and requests for price breaks; thus artists
are free to choose to allow a particular use at
a particular price. While theispot services the
print industry more than the film industry, the
work found there could be useful in giving a
film a particular graphic style, and could also
be used for credit sequences, elements in
mashups, and the like. |
|
istockphoto |
www.istockphoto.com
iStockPhoto.com is a royalty-free website, and
highly recommended for filmmakers with
extremely limited budgets. The company, based in
Canada
, is owned by Getty Images. Structured as an online
cooperative of mostly amateur photographers and
filmmakers who post their material on the site
specifically for stock sales. Getty provides the
web space and a terrific search engine, vets the
images for legal and quality issues, and shares
profits with the providers. Prices are low and
is done by credits. You buy a minimum of 10
credits to start your account; a photograph
normally costs from $1.30 to $19.50 at this
writing, depending on the resolution in which
you want the image (many images are available
from the lowest possible resolution of
approximately 450x260 pixels at 72 ppi (a 0.184
megabyte file) to a resolution suitable for HD
use with zooms and camera moves--9600x5600
pixels at 300 ppi (a 34megabyte file) many times
below market value for most rights-managed and
royalty-free imagery. iStockPhoto is now
including more and more moving image, much shot
with high definition cameras. While more
expensive than the photographs, the prices—$13
for a low resolution clip to perhaps $65 for
1080p HD—are still far below what they would be
at a rights-managed archive. |
|
ITN Source |
www.itnsource.com/en/About_Us/Our_Collections/
This website forms a gateway to collections
ranging from leading names such as Reuters,
Granada , Channel 4, Fox and British
Pathé to niche specialists such as Sam Silver,
Images of War, Survival ( Anglia
), a large nature photography collection on
film, and premium individual clips. |
|
Lynn and Louis Wolfson II Florida Moving
Image Archive |
www.fmia.org
The Lynn and Louis Wolfson II Florida Moving Image
Archive sponsors an annual “Rewind/Fast Forward
Film and Video Festival.” One of the highlights
of their holdings is the film from local station
WTVJ, Florida
’s first television station, but they have grown
to include a large number of other collections
about Florida
history and culture. |
|
MacDonald and Associates |
www.macfilms.com
J. Fred MacDonald is a media
historian with an eclectic personal collection
of both radio and television broadcasts, and all
other kinds of archival footage difficult to
find elsewhere. Note that he does not own
copyright to some of his material (although a
good deal of his material is in the public
domain, and he can sell it to you).
MacDonald is the author of several books,
including histories of radio, African Americans
on television, television’s relationship to the
Cold War, the rise and fall of the television
western, and others. If you are looking for
something – especially something media-related –
and you think you’ll have trouble finding it, go
to him first. |
|
Magnum Photos |
www.magnumphotos.com
Created in 1947 by Henri
Cartier-Bresson, Robert Capa and others, this is
one of the most prestigious agencies for
photojournalism available. Many iconic news and
lifestyle photos came from Magnum photographers
and they offer approximately 350,000 images in
their online database. |
|
McCord
Museum
of
Canadian History |
www.mccord-museum.qc.ca/en/
The
Notman Collection can be accessed by selecting
the “Collections-Search” link at the top of the
page |
|
Media History Project
|
www.mediahistory.umn.edu/
The University of Minnesota's
Communications Department has an enjoyable
website full of materials about media history. |
|
Motion Picture Association of
America |
www.mpaa.org
The
MPAA sets the movie rating system, and is a
strong advocate for the extension of copyright
terms. They oversee distribution and other
aspects of the Hollywood
motion picture industry. |
|
National Aeronautics and Space
Administration (NASA) |
http://grin.hq.nasa.gov/howtouse.html
GRIN is the online search
mechanism for NASA images. |
|
National Geographic Images |
www.ngsimages.com
National Geographic has all kinds of
ethnographic, nature, and animal footage. Most
of it is rights-managed, but some is
royalty-free |
|
National
Information Center
for Educational Media Film & Video Finder |
www.nicem.com
As
an educational advocate, NICEM offers a vibrant
Video Finder database, which includes
documentaries and experimental films in addition
to strictly educational films, but does not
include entertainment films. The Finder is at:
www.nicem.com/database.htm.
|
|
National Library of Medicine and
National Institutes of Health |
http://www.ncbi.nlm.nih.gov/sites/entrez?db=nlmcatalog
NLM and NIH both have large collections of
especially still but also moving images relating
to health and medicine. Much of this material,
created by and for the
US government,
is in the public domain, but the libraries do
contain other materials that are owned. |
|
NBC News Archives |
www.nbcnewsarchives.com.
NBC is now NBC/Universal (as in Universal
Studios). In December, 2007, the news archive
moved back to 30 Rockefeller Plaza in
New York from its
previous headquarters in
Fort Lee ,
New Jersey .
Although you can search and view clips online,
as with most such catalogs, it’s incomplete.
Normally, a request for in-depth research needs
to go to the head of the archive, Yuien Chin,
via the online footage request form, or by fax
or email (Kenn recommends fax or email), and
then it will be assigned to an internal
researcher, who will work with you and contact
you directly. NBC is one of the most efficient
of the network news archives. |
|
The Newberry Library |
www.newberry.org/
Located
in
Chicago IL ,
the Newberry Library is, according to their
website, “one of the world’s leading independent
research libraries.” It is one of the best
sources in the
U.S. for maps
and cartography (including antique maps of all
kinds, all subjects, and all vintages) and also
for old manuscripts, antiquarian books, and
anything on paper that has to do with the
humanities. |
|
North Wind Picture Archives |
www.northwindpictures.com
North Wind, located in
Maine , may be your easiest way to
get those 19th century (and early 20th century)
images that are held in the magazine collections
of the Library of Congress and elsewhere. If you
send them a wishlist, they will send you back,
gratis, a stack of photocopies of their
holdings, arranged by subject, that might suit
your needs. When you’ve made your selection,
they will download to you high resolution files,
which can also be hand-tinted, or send you a
very clean stat of the image(s) you order. |
|
Northeast Historic Film |
www.oldfilm.org/movingimages
Northeast Historic Film is one of the largest
regional archives in the
US
. Their holdings relate to the history, industry, and life
of the New England states
(
Maine ,
Vermont ,
New Hampshire , and to a lesser
extent, Massachusetts
). The collection includes news footage from New
England stations WABI, WAGM, WCAX, WCBB, WCSH,
WLBZ,WMTW, WVII, and WCVB; in addition, one of
the largest home movie collections in the United
States, plus industrial collections, university
collections, and material from other archives
and donated material amounting to over 250
separate collections, all concerning New
England. |
|
Oxford Scientific |
www.osf.co.uk
“The natural world specialist.” Oxford
Scientific in the
UK
, is almost entirely rights-managed and renowned for its
photography of natural and animal life. Much of
it is time-lapse or created for scientific
study. Older items are in film, newer are on
tape. |
|
Profotos |
www.profotos.com
Profotos provides a membership
organization of still photographers from around
the world, and also provides other
research-oriented materials that are most useful
to filmmakers.
In particular, the education
section of their website provides a "reference
desk," with glossaries, technical information,
photo schools, photo labs, and, most important,
a list of links to photo news and stock agencies
around the world (with some out of date links,
but still useful for the agencies' names) at
www.profotos.com/education/referencedesk/stockagencies/index.shtml. |
|
San Francisco Bay Area
Television Archive |
www.library.sfsu.edu/about/collections/sfbatv/
From the website: "a unique moving image
collection that chronicles 60 landmark years of
social history and cultural revolution in the
San Francisco Bay Area."
This collection is located at San
Francisco State University's downtown campus;
access is by appointment only. The Collection
includes news footage from Bay Area stations
KPIX and KQED, as well as a small amount of
material from KTVU. |
|
The Smithsonian Institution |
www.si.edu
A
quasi-government institution, the Smithsonian is
funded both by the
US
government and by private donations. For that reason, many
of their materials are not in the public domain,
but fees can be reasonable—often more reasonable
than access.
American Art Museum
:
http://americanart.si.edu/search/search_artworks.cfm
Center
for Folklife and Cultural Heritage:
www.folklife.si.edu/index.html
Smithsonian Folkways recordings:
www.folkways.si.edu
Museum
of American History
:
http://americanhistory.si.edu/collections/index.cfm
National Air and
Space
Museum :
http://collections.nasm.si.edu/code/emuseum.asp
National Anthropological Archives and Human
Studies Film Archives:
www.nmnh.si.edu/naa/guides.htm |
|
Southeast Asia-Pacific
Audiovisual Archive Association (SEAPAVAA) |
www.seapavaa.org
The Southeast Asia-Pacific Audiovisual Archive
Association, (SEAPAVAA), based in the
Philippines, is a good place to locate Southeast
Asian and Pacific Rim archives and footage. A
useful publication from SEAPAVAA is Views from
Southeast Asia : Films from the
Region, published in 2001. It includes articles
on holdings in the
Philippines
, Vietnam
, Laos
, Cambodia
, Thailand
, Malaysia
, Singapore
, Indonesia
, New Zealand
, and Australia
and was published in 2001. |
|
SPPN Images |
www.sppnimages.com/
A
privately owned archive, the successor to
Sherman Grinberg Film Library. Pathé, Paramount
News, and
Paramount ’s Greatest Headlines
series are among their holdings. |
|
The Telco Report |
www.telcoreport.com
Telco Reports has been around since the 1960s,
and forms a kind of bulletin board of producers
and funders—as such, it’s a good way to see if
other films have been done on your subject. If
you can’t find what you’re looking for online,
there is a CD-ROM with data from mid-1990s to
2003; you can also contact the company directly
to buy a specific search. The Telco website also
offers links to some other film archives.
|
|
Thought Equity Motion |
www.thoughtequity.com
Thought Equity currently represents the March of
Time newsreels (which, like other online
databases, have been cut into
short—approximately 20 seconds— clips, not
allowing you to get a sense of the newsreel as a
whole). They also represent footage from NBC
News*, National Geographic*, HBO and Sony, and,
through
Australia ’s
FilmWorld, various Australian archives. These
include CineSound (Australian Movietone) and the
Australian tourism collections.
Thought
Equity also represents the stock libraries of
Paramount and Sony Pictures studios, and the
NCAA.
* Note
that in general, you are better off looking for
NBC and National Geographic footage at those
providers’ websites. |
|
U.S. Holocaust Memorial Museum |
http://www.ushmm.org/museum/mission/
"United States Holocaust Memorial
Museum is America's national institution for the
documentation, study, and interpretation of
Holocaust history, and serves as this country's
memorial to the millions of people murdered
during the Holocaust....Chartered by a unanimous
Act of Congress in 1980 and located adjacent to
the National Mall in Washington, DC, the Museum
strives to broaden public understanding of the
history of the Holocaust through multifaceted
programs: exhibitions; research and publication;
collecting and preserving material evidence, art
and artifacts related to the Holocaust; annual
Holocaust commemorations known as Days of
Remembrance; distribution of education materials
and teacher resources; and a variety of public
programming...For information on the archival
resources, go to
http://www.ushmm.org/research/collections/ |
|
U.S. Library of Congress (LC) |
http://rs6.loc.gov/ammem/browse/ListAll.php
Individual collections (alphabetized list of
highlights):
The Library of Congress Motion Picture and
Television Reading Room website is at
www.loc.gov/rr/mopic/. This website can link
you to various collections as well as give you
basic information for visiting the research
space. As of this writing, their physical vaults
are being relocated to
Culpepper ,
Virginia , and so various collections go in
and out of availability as the move is prepared
for.
The
American Memory Collection home page:
http://rs6.loc.gov/ammem/index.html. F
Civil
War photography collection:
http://lcweb2.loc.gov/pp/cwphtml/cwpabt.html
Early
Films Collection:
www.loc.gov/rr/mopic/earlymps.html.
Includes works by the Thomas Edison studio and
the contemporaneous American Mutoscope and
Biograph Company (later just the Biograph
Company) These make up the bulk of what is
called the Paper Print Collection (1894-1915), a
true treasure. Information and a search engine
for the Paper Print Collection and the George
Kleine and Theodore Roosevelt collections can be
found at this URL.
A
website with links to available digital files of
PD recorded sound from the Edison Historical
Site in
New Jersey is:
www.nps.gov/edis/photosmultimedia/the-recording-archives.htm.
A website for accessing Edison
disks at the Library of Congress American Memory
Collection is:
http://memory.loc.gov/ammem/edhtml/eddcalpha.html.
The Edison
Site collection in New Jersey includes 28,000 78
rpm disc phonograph records (a predecessor to
the LP); 10,000 cylinder phonograph records (the
earliest format, designed for the first Edison
recording machines were cylindrical in shape),
and 9700 disc master metal molds, used for
pressing the mass-produced disks themselves.
With a grant from the Grammy Foundation,
archivists are working to make
preservation-quality digital transfers of
portions of the collection, some of which can be
heard online (www.nps.gov/archive/edis/edisonia/sounds.html)
and are broadcast by radio station WMFU-FM in a
show called Thomas Edison’s Attic (www.nps.gov/archive/edis/edisonia/attic_radio.htm).
Note that
through a joint effort of the
Museum of Modern Art
in New York
and the LC, the paper print issues in MOMA’s collection have been
released on a four- DVD
set, Edison: The Invention of the Movies.
See
www.kino.com/video
NET
Collection:
NET was created in 1952; when PBS was formed
in 1969, the two merged to form
WNET , the PBS station in
New York . Hence,
WNET controls rights to the
NET Collection at LC. For a Library of
Congress project about preserving public
television, see:
www.ptvdigitalarchive.org/purpose/.
The
Paper Print Collection (see Early Film
Collection, above)
Vanderbilt Television News Collection (see
below): Starting in the 1970s, the U.S. Library
of Congress began buying copies of every
Vanderbilt tape of nightly news broadcasts, so
most of this valuable collection can also be
found here. |
|
U.S. National Archives and
Records Administration (NARA) |
The
National Archives' online search utility, ARC,
can be found here:
www.archives.gov/research/arc/index.html.
Follow the “search option” link to perform an advanced search. Also note
both the “How to search” link (as ARC searches
differ in some ways from other search engines),
the links to specific subject areas, and the
pull down search options on the advanced search
screen.
A more
thorough guide to the
NARA
stills collections can be found at
www.archives.gov/research/formats/still-pictures-guide.html#9.
Much of the information that appears in this
section is thanks to the Guide to the Holdings
of the Still Picture Branch of the National
Archives and Records Administration, compiled
for the Archives by Barbara Lewis Burger.
Ford
Foundation Collection is not catalogued on line,
but rather has to be researched at the Archives,
or by obtaining the out-of-print published
catalogue of the collection by Mayfield Bray
(see bibliography).
Harmon
Foundation Collection can be accessed through
the National Archives website at
www.archives.gov/research/african-art/. This
site will give you access to the African Art
contained in the collection. At least some of
the motion picture materials from the Harmon
Foundation do appear on ARC as well. Enter
“Harmon Foundation” in ARC to pull up whatever
from the collection has been digitized. Film
researcher David Thaxton is, as of this writing,
producing a catalogue/finding aid for the Harmon
Foundation Collection.
Longines Chronoscope
television interviews (1951-1955) are being
released on home
DVD . They are in the public domain, and most
or all of them are searchable through ARC (see
above).
Presidential libraries, see
www.archives.gov/presidential-libraries/visit/. |
|
University
of
Texas
, Austin
- Harry Ransom Humanities Research Center |
www.hrc.utexas.edu/
The
Harry
Ransom Humanities
Research Center
at the University of
Texas ,
Austin , dedicated to the study of
the arts and humanities. The
Ransom
Center , to quote their online
mission statement, “acquires original cultural
material for the purposes of education,
scholarship, and delight.” The center houses
fine art from Mexican artists, paintings by
American and English literary figures including
Anne Sexton and D.H. Lawrence, posters relating
to the Spanish-American War; the papers and
archives of actress Gloria Swanson and
screenwriter Ernest Lehman; music manuscripts
from ancient Gregorian chants (one of the
largest collections in the United States.) to
the jazz of Charlie Parker… Also the papers of
magician Harry Houdini and one of the most
important photographic collections around, the
Gernsheim Collection. |
|
The Vanderbilt University
Television News Archive |
http://tvnews.vanderbilt.edu/web/tvnews/collection/.
Vanderbilt has been taping evening news of all
three networks since mid-1968, some CNN since
1995, news special reports, Presidential
speeches, conventions, news conferences by
presidents, etc.,and maintains those off-air
tapes, providing VHS reference tapes to
researchers, filmmakers, and the public for a
nominal fee. They are for research only, and
rights (and a clean master copy) must be gotten
from the network or news organization that owns
them. Starting in the 1970s, the U.S. Library
of Congress began buying a copy of every tape,
so most of the collection can also be found
there. |
|
The Visual Researchers' Society
of Canada |
www.visualresearch.ca/
According to their website, “The Visual
Researchers’ Society of Canada exists to promote
excellence in the field of visual research in
all media. … The VRSC aims to raise the profile
of visual research as a profession; to set
quality standards for the conduct of visual
research; and to set guidelines for the
conditions of work. Above all, our aim is to
improve the quality of work done by visual
researchers.” VRSC was co-founded by film
researcher Elizabeth Klinck, who is interviewed
in this book. |
|
The Wells Fargo History Museums |
http://www.wellsfargohistory.com/history/history.htm
The Wells Fargo Company maintains museums in
California ,
Oregon ,
Alaska ,
Arizona , and
Minnesota (see
http://www.wellsfargohistory.com/museums/museums.htm,
and has its own archival collections. Primarily
of interest for stills and artifacts, people
rarely think of this company when they think of
archives, but they can be a valuable history
resource. |
|
WireIMAGE |
www.wireimage.com/
Free registration is required to use the
powerful database and a system for both viewing
and downloading images from this company that
provides thousands of celebrity portraits and
other celebrity images (especially entertainment
celebrities) . In many cases, you will also need
to clear the personality or actor who appears in
the image (see Chapter XX), unless spot news or
a claim of fair use is involved. Although
WireImage is now also represented by Getty, it
may be easier to search through the WireImage
website if you are looking for recent
(1990s-present) photographs. If you want a
combination of older and newer images of a
celebrity, you may want to access Getty (see
above). |
|
The WPA Film Library |
www.wpafilmlibrary.com/
The WPA Film Library represents the British
Pathé newsreel collection in the
United States
and has transferred all of the original 35mm
footage to D2 video. WPA also owns rights to the
old 1960s television music shows Hullabaloo and
Soul!, among other goodies. They are one of the
four major general-purpose commercial archives
in the
US , along with
Getty, Corbis, and Historic Films. |
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